Death is impossible. It’s a door that you keep waiting to swing open, announcing the entrance of a dinner date who never arrives, or the recurring dream of a person whose prolonged absence makes their ...

“I’ve been coming to New York since the 1940s,” David Cronenberg reminisced when introducing The Shrouds at the New York Film Festival last fall. “Yes,” he quipped, “that means I’m the exact same age ...

“Long live the new flesh.” The most famous line in any Cronenberg picture, uttered by Videodrome’s Max Renn (James Woods), is also something of a mission statement for much of the Canadian master’s ...

David Cronenberg, aficionado of the unnerving, won’t let his feelings about a creator get in the way of a creation. “I still love my Tesla,” says the filmmaker, seated in a dimly lit conference room ...

David Cronenberg knows exactly how he wants to be buried. In his new movie “The Shrouds” (in theaters nationwide April 25), the Canadian filmmaker imagines a near future where high-definition cameras ...

Before the pandemic, David Cronenberg pitched a series to Netflix. The director of movies like “Videodrome,” “The Fly” and “eXistenZ” – stories that investigated the dangerous frontier of cutting-edge ...